Destinations

City

Damascus: mosaic materials and archive records

At Damascus’s Great Umayyad Mosque, glass gave wall mosaics a wider colour palette than other materials. A thin metal sheet between glass layers gave some pieces a gold or silver appearance; the French Ministry of Culture’s account also records an unfinished 1928–29 copying project.

Your travel story starts with a place.

Create your map Mark it on your map
A hazy elevated view of Damascus, with dense blocks of buildings stretching to the horizon.
Panorama of Damascus, photographed 16 August 2008.Photograph: © Vyacheslav Argenberg

At a glance

Glass palette
For wall mosaics, glass offered a broader colour range than other materials, though it was more fragile than stone.[1]
Visible underpainting
The wall still shows remnants of the colour guide where tesserae are missing.[2]
Project records
The 1928–29 copying effort recorded nine fragments; the complete set of records was rediscovered between 1999 and 2006.[3]

A place worth remembering

Glass and metal

Glass was the usual choice for wall mosaics. The French Ministry of Culture’s account says it was more delicate than stone yet allowed a far wider range of colours than other materials. Some pieces enclosed a thin metal sheet between glass layers to produce gold and silver effects.[1]

Colours beneath the mosaic

Where tesserae have fallen, remnants of the mosaicists’ colour guide can still be seen on the wall.[2]

From wall to archive

In 1928–29 three young Syrian artists reproduced the mosaics one tessera at a time, but the project was left unfinished and just nine fragments were recorded. After decades in archives, the complete set of these records was rediscovered between 1999 and 2006.[3]

Good to know

A few clear answers before you explore.

Why use glass for wall mosaics despite its fragility?

The French Ministry of Culture says that, although more fragile than stone, it offered a much broader palette than other materials. Enclosed metal also gave some glass pieces their gold or silver appearance.[1]

What can the underpainting reveal?

It shows the simplified colour guide mosaicists used before laying tesserae; pigment traces remain where pieces fell away.[2]

When was the complete set of project records rediscovered?

The French Ministry of Culture dates the rediscovery in archives to between 1999 and 2006.[3]

The WorldStamped community

Every visit becomes part of a story.

Members with public visits
0
Places with public visits or memories
0
Public memories
0

No public visits have been counted here yet. Add this destination to your own map and choose what you want to share.

Members are counted once. Counts include only eligible public activity from profiles that allow search discovery. Private and followers-only content is excluded.

Your world, stamped with memories

Add a memory from any part of Damascus.

Mark the countries and places you have visited, keep the memories that go with them, and share your map when you choose. Your profile starts private.

Create your mapMark it on your map

Registration opens your own WorldStamped account. You choose which places to add.