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Malabo: cathedral climate, a dated register and local writing

Andruet’s 2020 article treats Santa Isabel Cathedral’s iron-shuttered windows as adaptations to the local climate. A 2010 paper records the Claretian museum’s 1959 register count, while a Spanish cultural centre’s library highlights writing connected with Equatorial Guinea.

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The twin-towered façade of the Cathedral of Santa Isabel in Malabo between palm trees under a cloudy sky
The Cathedral of Santa Isabel in Malabo, photographed in 2012.Photograph: B.traeger

At a glance

Cathedral windows
12 additional operable windows with iron shutters, in Andruet’s 2020 account[1]
Claretian museum register, 1959
1,567 objects in six categories by year-end[2]
Library collection focus
Writers and writings connected with Equatorial Guinea[4]

A place worth remembering

Windows for ventilation and light

Mario Andruet’s 2020 article notes 16 stained-glass windows at Santa Isabel Cathedral, plus 12 others that are operable and have iron shutters favouring ventilation and light regulation. He calls the operable windows and the metal sunshades concessions to the local climate.[1]

A museum register at the end of 1959

In a 2010 paper, M.ª Concepción Botargues Martija reports that by the end of 1959 the Claretian museum had a register of 1,567 objects in six categories. She adds that a basic register book and a much fuller file with object details and drawings existed that year. The paper says the small museum had been in Malabo since 1999 and, in 2010, was inside Santuario Claret.[2]

A library collection on Equatorial Guinean writing

The cultural centre’s site places its general library on the ground floor of an L-shaped, two-storey complex arranged around a large central courtyard. The library page singles out writers and writings connected with Equatorial Guinea, including many editions described as out of print.[3][4]

Good to know

A few clear answers before you explore.

Does Andruet’s article prove a Gaudí connection?

No. It explores a possible link and states that no documents certify Gaudí’s involvement.[1]

Is 1,567 the museum’s current inventory?

No. It is the register total the paper reports for the end of 1959.[2]

What does the library’s collection focus on?

The centre’s page highlights writers and writing connected with Equatorial Guinea; it describes many editions as out of print.[4]

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